Shabnam's vale of serendipity
“What Colaba doesn’t have is easy to list. What Colaba does
have, is not. Its qualities are concealed by voluminous skirts and peeling
paint,” writes Shabnam Minwalla, and proceeds to treat the reader to a
comprehensive expose, weaving personal experiences from a range of people
interviewed, with widely diverse secondary sources.
The latter include facts and administrative data from Gazetteers;
iffy maps and exaggerations from travellers’ accounts; colourful descriptions
from novels; even gravestone epitaphs (“doleful postcards from the past”). The
one I enjoyed most was an August 2002 Busybee column which lampoons the
Arabs who for decades holidayed in Colaba to revel in rain, a novelty rendered
anachronistic by global weirding. The exuberant snippets provide information,
they create atmosphere, and their depth and diversity well represents contemporary
Colaba, a place whose character transforms from corner to corner, sometimes
quite dramatically.
As for the people interviewed, most are long-term residents
and colourful neighbourhood characters. The best stories come from the author
herself, memories of Colaba haunted houses, lingerie shops that date back to before
the word lingerie arrived in Colaba, glimpses of a prim schoolgirl, one of a
horde, who transformed into hoydens tumbling down the staircase the instant the
evening bell rang, only to be harangued on the way home by the fierce battleaxes
of Cusrow Baug. Biographical details are introduced not in a self-congratulatory
or coy manner or even in bland lists, but in a festive jumping-about that
interweaves energetic adjectives, provides vivid pictures, and sometimes has you
laughing aloud. The creative happiness is impressively balanced with deep,
fault-finding, nit-picking research into this unabashedly grimy district of
India’s financial capital.
Colaba has no medieval fortresses, tales of tragic queens,
or echoes of bloody battles. Just two hundred years ago it was a
jackal-infested island – fine-grained diorite, composed of feldspar and
hornblende! – separated from the emerging metropolis by a temperamental creek,
ghastly shipwrecks, and a cemetery greedy for colonizers. When a causeway was
built, the inconvenient outpost transformed into a place of buzzing industry,
and the malodorous creek with mosquito-riddled mangroves and criminal-infested
bays was eventually replaced by traffic-choked streets lined with art
galleries, cakeshops, and more. Who doesn’t love Colaba for its street shopping
– those cool, billowing cottons, coolly-replicated designerware? Amidst the
thronging crowds, familiar faces pop up and cheery “Hieee!”s ring out in
Shabnam’s vale of serendipity, the place of which one well-known resident (read
the book to know who) is reported as having instructed, “When you go shopping
down Colaba, Ma, don’t forget to give everybody my love.”
Besides the extraordinary energy of the haphazard streets of
the southernmost tip of a city rapidly sprinting northwards, this book also documents
nooks and structures: Colaba Lunatic Asylum, Royal Alfred Sailor’s Home, the
garden of a Mrs Hough and its magical mango tree which fruited twice a year;
the reincarnation of Buckley Court from a haunted Indo-Saracenic mansion to a
guesthouse packed with fascinating residents to a ‘luxury skyscraper’;
dragonflies fluttering by enroute to East Africa. And the fascinating stone
which clarifies the boundaries between Colaba and Old Woman’s Island of yore –
inside a residence encroaching into, of all places, the trendy and laidback Colaba
Police Station.
When I called Shabnam Minwalla to tell her how much I had
enjoyed her book, we naturally compared notes and, though we’ve never met, and even
claim different territories of Colaba, found much to celebrate.
Colaba is still somewhat in the nature of ‘native place’ to me, the venue of childhood winter vacations escaped to from bone-chilling frost, sultry evenings strolling on the Cuffe Parade promenade, playing in the piles of rubble waiting to take their place in swanky buildings, snacking on peanuts and sometimes even illicit bhel (because typhoid). “Which building?” Shabnam asked and when I replied, she knew exactly which one, and together we moaned the decaying grandeur and eventual demise of the townhouse with its authentic stained-glass windows, Minton tiles, sagging wooden staircase and unpolished banisters, residence of former presidency magistrate KJ Bijlani for nearly fifty years.
Every chapter of this book ends with a pithy ‘Colaba lesson for life’, and the one I’ve picked to pass on here, one that sears me with regret, instructs: “Quick! Talk to your grandparents before it’s too late.”
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