Glamour, vengeance ... resolution
Here’s a murder mystery that draws you in and keeps you engrossed without providing so much as a dead body.
It arrived yesterday, and though I have a number of books waiting for their turn, was so impressed with its cover, perfect binding, and elegantly-laid-out font that once I started turning its crisp pages, I just kept going till I’d come to the end.
There are four separate stories here and as I raced through them, waiting eagerly to find out how they would link together and provide solutions to the burning question each one raised, I must say I enjoyed the easy visualization of its fast-moving pace. I admired these four Indian women, happy to be acquainted with their independent thoughts and lifestyle and the way they inhabited a new world which did not hem them in as Indian women have been in centuries past. I was a bit surprised at how their giddy-headed emotional attractions were so easily categorized as ‘love’ – but I will admit to ‘loving’ the different locales Lata Gwalani has depicted in authentic detail in her book.
As the story comes to a close, it suddenly takes on a different character and I found the transition rather abrupt. Moving from a racy, event-strewn narrative to a complex, theoretical arena cannot be as simple as changing gears – at least not to me. I was expecting to race through to the end but the last thirty pages held me back and if I didn’t particularly enjoy the ending, I should acknowledge that it was my fault for not giving it the time and attention it probably deserved.
Here’s a murder mystery that draws you in and keeps you engrossed without providing so much as a dead body.
It arrived yesterday, and though I have a number of books waiting for their turn, was so impressed with its cover, perfect binding, and elegantly-laid-out font that once I started turning its crisp pages, I just kept going till I’d come to the end.
There are four separate stories here and as I raced through them, waiting eagerly to find out how they would link together and provide solutions to the burning question each one raised, I must say I enjoyed the easy visualization of its fast-moving pace. I admired these four Indian women, happy to be acquainted with their independent thoughts and lifestyle and the way they inhabited a new world which did not hem them in as Indian women have been in centuries past. I was a bit surprised at how their giddy-headed emotional attractions were so easily categorized as ‘love’ – but I will admit to ‘loving’ the different locales Lata Gwalani has depicted in authentic detail in her book.
As the story comes to a close, it suddenly takes on a different character and I found the transition rather abrupt. Moving from a racy, event-strewn narrative to a complex, theoretical arena cannot be as simple as changing gears – at least not to me. I was expecting to race through to the end but the last thirty pages held me back and if I didn’t particularly enjoy the ending, I should acknowledge that it was my fault for not giving it the time and attention it probably deserved.